In a deeply emotional announcement that has shaken South Africa’s creative community, the organisers of CottonFest confirmed on Tuesday that the beloved festival has come to an end. What began as a tribute to the late rapper Riky Rick’s vision and passion for youth culture has now reached an unexpected and painful conclusion.Earlier this year, CottonFest teased its 2026 return on social media, raising excitement among fans. But behind the scenes, tensions among shareholders were growing.
Organisers say those differences have now become impossible to reconcile, making it clear the festival can no longer continue in the spirit in which it was created. “CottonFest has always been rooted in creativity, community and cultural celebration focused on creating a platform for the youth to shine,” said festival owner and organiser Bianca Naidoo, Riky Rick’s partner.
“We are extremely proud of what the festival has achieved and deeply grateful for the love it has received from fans, partners and artists. But the differences in vision and purpose have made it clear to our family and the team that concluding this chapter is the most realistic path forward.”
For the team behind CottonFest, the decision carries immense emotional weight. The festival was more than an event, it was a living extension of Riky Rick’s spirit, a place where young artists, skaters, designers and musicians found a home, a voice and a chance to shine. Naidoo and the Makhado family expressed heartfelt appreciation to everyone who helped build CottonFest into a cultural landmark, and to those who worked tirelessly to honour Riky’s legacy after his passing. Though the festival will not continue under the current structure, there is still a glimmer of hope.
The CottonFest Creative Programme, launched in 2025, will continue its mission to uplift young talent throughout the year—ensuring that Riky’s passion for empowering the youth lives on in new forms.Current ticket holders can request full refunds through Webtickets via its self-help process starting today.
